Photo: Beady Eye in Japan.
They should play @ stadia again, but Liam doesn't need that, he makes music because he likes it, not for money as someone else...
Another positive review:
The cover of Beady Eye's second album, a soft-focus picture of a sleeping woman, is more Last Shadow Puppets than Oasis: deliberately so, for this is a subtle, rather beautiful record that takes Liam Gallagher's quintet light years on from the lumpen stomp of his old group.
The first two tracks are lousy but from the lithe, Clash-like rock of Face In The Crowd onwards, Beady Eye enthralls.
Second Bite Of The Apple is a complex, soulful shuffle, arguably the most Lennon-esque piece Gallagher has recorded, Soon Come Tomorrow a truly great pop tune with phased guitar, I'm Just Saying an exercise in sheer exuberance with a counted-off refrain that will be echoing around a stadium near you soon.
There's a message, of course, to Gallagher N: a musing seven-minute appeal for peace with his brother, all the more affecting because he clearly doesn't need him musically any more.
vote: 4/5
The cover of Beady Eye's second album, a soft-focus picture of a sleeping woman, is more Last Shadow Puppets than Oasis: deliberately so, for this is a subtle, rather beautiful record that takes Liam Gallagher's quintet light years on from the lumpen stomp of his old group.
The first two tracks are lousy but from the lithe, Clash-like rock of Face In The Crowd onwards, Beady Eye enthralls.
Second Bite Of The Apple is a complex, soulful shuffle, arguably the most Lennon-esque piece Gallagher has recorded, Soon Come Tomorrow a truly great pop tune with phased guitar, I'm Just Saying an exercise in sheer exuberance with a counted-off refrain that will be echoing around a stadium near you soon.
There's a message, of course, to Gallagher N: a musing seven-minute appeal for peace with his brother, all the more affecting because he clearly doesn't need him musically any more.
vote: 4/5
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